A guest blog from JAN NIEUPJUR. Nieupjur is both an artist and philosopher. founder of Nieupjurism and Abstract depressionism. Described by Nat Tate as the most important 20th century artist and by Duchamp as the most plagiarised.
The entrance to Frieze New York. They all look the same don't they?
In the 'Creative Marriage' the muse is the 'artist'. She is imaginative and forward looking while the artist has become the 'mechanic'. Nothing more than a conduit for her creativity and the tool by which it is rendered tangible. In the case of 'BIG NAME' artists it is sadder than that; the artist has simply become the 'administrator' liaising between the creative and the mechanics producing the work within the factory like studio. The 'Name' artist is no closer to art than the hospital administrator is to surgery.
Art (or what claims to be art (blame Serota)) is now purely interested in chasing the buck and the places to chase the buck are 'Art Fairs' such as frieze!
Frieze is also the place to be seen for suits, trophy wives, trophy wives in suits, middle aged rom com actors with their Asian babes (plenty of soft porn titillation guaranteed) and 'Artists' in suits. It is nothing but a corporate seminar like any NHS seminar and the be all and end all is the embodiment of victory of profit over integrity or creativity.
For the duration of Frieze the muse will be in the studio conjuring up angel tears from her harp whilst in the tent in the Regents Park they will be plucking the feathers, one painfully by one, from the same angel's wings!